
|
|
|
|
| American
Literature |
|
| EE51 |
|
| Spragins |
|
| Spring
2012 |
1st Period:
Even Days, Drop Down Day 5 |
|
|
Second
Semester Topics: |
|
photo by Marilyn Julius
|
Baltimore Presentations |
|

Cliffdwellers (1913)
by George Bellows
|
Maggie: A Girl of the Streets (1892)
by Stephen Crane |
|

Blue and Green Music,
1919.
Georgia O'Keeffe
|
Modernism Independent Projects |
|
Sargent,
John Singer
Madame Gautreau c. 1884
|
The Great
Gatsby (1925) by
F. Scott Fitzgerald
|

|
The
Glass Menagerie (1944) by Tennessee Williams |
|

|
Death of a Salesman (1953)
by Arthur Miller |
|

|
Jitney (1977) by August
Wilson |
|
|
|
|
|
One Act Playwriting Project and Film Festival |
|
|
|
|
|
|
| Month |
Day |
Cycle |
|
Assignment |
|
|
|
|
1
|
23 |
Day
1 |
Mon. |
Exam
Make-up Day |
| |
|
|
|
|
|
1
|
24 |
Day
2 |
Tues. |
|
|
|
|

photos by
Marilyn Julius |
|
Usage Pre-Test
Vocabulary Unit Three
Baltimore
Presentations Baltimore Links
Homework:
|
| |
|
|
|
|
| 1 |
25 |
Day 3 |
Wed |
|
|
|
|
|
|
|
1
|
26 |
Day
4 |
Thurs. |
|
|
|
|

|
|
Usage Pretest
Vocabulary Unit Three
Work in class on Baltimore
Presentations
Homework:
Baltimore
Presentations
|
| |
|
|
|
|
|
1
|
27 |
Day
5 |
Fri. |
|
|
|

photos by
Marilyn Julius
|
|
Usage Pretest
Vocabulary Unit Three
Begin Baltimore
Presentations
Homework:
Baltimore
Presentations
|
|
|
|
|
1
|
30 |
Day
6 |
Mon. |
|
|
|
|

photos by
Marilyn Julius
|
|
Baltimore
Presentations
Homework: Prepare
Presentations:
Intellectual Backgrounds to Modern Consciousness
|
| |
|
|
|
|
|
1
|
31 |
Day 7 |
Tues. |
|
| | | | |
|
2
|
1 |
Day 8 |
Wed. |
|
| |
|
Freiderich Nietzsche
(1844-1900)

Sigmund Freud 1856-1939
|
|
Baltimore
Presentations
Prepare
Presentations:
Intellectual Backgrounds to Modern Consciousness
|
| |
|
|
|
|
|
2
|
2 |
Day 9 |
Thurs. |
|
| |
|
|
|
|
|
2
|
3 |
Day 10 |
Fri. |
|
| |
|
 Karl Marx 1818-1883

Charles Darwin 1809-1882
|
|
Modernism Presentations Quiz: Backgrounds to
Modernism: Nietzsche, Darwin, Freud and Marx
Homework: Mid-19th Century Vision
of the City: Crossing
Brooklyn Ferry by Walt Whitman
|
| |
|
|
|
|
|
2
|
6 |
Day 1 |
Mon. |
|
| | | | |
| 2 | 7 | Day 2 | Tues. | |
| |
|

Cliffdwellers
(1913) George Bellows

The Hairdresser's
Window (1907) John Sloane
|
|
Mid-19th Century Vision
of the City: Crossing
Brooklyn Ferry by Walt Whitman
Stephen Crane: Maggie
A Girl of the Streets (1892) Homework:
|
|
2
|
8 |
Day 3 |
Wed. |
Parent Conference Day |
| |
|
|
|
|
|
2
|
9 |
Day 4 |
Thurs. |
|
| |
|
 Typical Toughs
(1890) Jacob Riis
5 Cents a Spot
(1890) Jacob Riis
A Black and Tan Dive
(1890) Jacob Riis
 42 Kids
(1907) George Bellows

Stag at Sharkey's
(1909) George Bellows
|
|
Maggie:
A Girl of the Streets (part
one) Study
Guide
Essay
on Maggie due Wednesday 3:30 pm. (Quiz)
- Overview:
What are we to make of Crane’s brutal ridicule of the poor? Is his
stereotyping justifiable? What does he find most contemptible about
Jimmie, Pete and Maggie?
- Describe the situation of children who grow up in the Rum Alley
ghetto.
- Can you pinpoint a moment in Jimmie’s development when he
could have altered the final shape of his character?
- Can you pinpoint a moment in Maggie's development into
adulthood when she
could have altered the final shape of her character?
- Look carefully at the
moment when Maggie realizes the future which awaits her in the
factory. Has she recognized her situation in life? Is Pete
her route out of the
ghetto? Does she have any
other options?
- What is the only virtue which Mary Johnson possesses? Why is this
particular virtue so important to tenement culture?
Another essay altogether:
Melodrama and Maggie: Think about what Crane is
up to when he describes Maggie's reaction to seeing
the melodrama show.
Remember that Maggie herself is a character in a melodrama. Is he
hinting at a way for her to escape the plot in which she is
enmeshed? Should she behave like the character with whom she
identifies in the show? Definition of Melodrama: a stage play, usually romantic and sensational in
plot, and interspersed with songs, in which the action is accompanied by
orchestral music appropriate to the various situations (now hist.).
Later (as the musical element ceased to be regarded as essential): a
play, film, or other dramatic piece characterized by exaggerated
characters and a sensational plot intended to appeal to the emotions. Homework: Read Maggie:
A Girl of the Streets (part
two) Study Guide Creative
Writing ala Crane
|
|
|
|
|
|
|
2
|
10 |
Day 5 |
Fri |
|
| |
|

Henri,
Robert
Salome 1909
Mead Art Museum
|
|
Essay
on Maggie due Wednesday 3:30 pm. Discuss Maggie:
A Girl of the Streets (part
two) Study Guide
- What is the primary obstacle to Maggie achieving the
insight necessary to understand her situation? What makes her unable to
accomplish this goal? Do you hold her responsible?
- What could Maggie have learned from Nellie? Would that
have saved her?
- What has Maggie realized at the moment that she is dumped by Pete? What options does Maggie have at
this point?
- Could Maggie have done anything to interrupt this slide
down the slippery slope?
Homework: Rough Draft Maggie Essay For further study: Silent Film Melodramas
|
| |
|
|
|
|
|
2
|
13 |
Day 6 |
Mon. |
|
|
|

Lower East Side Tenement Museum  Daumier, Melodrama Show (1860
|
|
Essay on Maggie
due Wednesday at 3:30 p.m.
Discuss Maggie:
A Girl of the Streets (part
two) Study Guide Approaches to Interpreting Maggie:
- Marx:
Maggie belongs to a class which Marx called the lumpen proletariat:
that layer of the working class which is unable to gain class
consciousness; on her own, she is doomed. What would Maggie need to
understand to achieve this consciousness? How does the Marxist believe that culture helps keep the working class in its place?
- Darwin: Social Darwinist thinkers loosely combined
Darwin's conception of Natural Selection with liberal economic
theory to argue that some races and ethnicities were losing out in
the struggle for survival and therefore deserved to be allowed to die
off. Other more radical Social Darwinists argued that poverty bred
contagious social threats which needed to be medically removed. Is Crane a Social Darwinist?
- Freud:
Freudian theory held that children traumatized in their
development would struggle to establish independence when they reached
adulthood. Can Maggie be treated?
- Nietzsche:
Nietzsche argued that people should overcome their rational and
religious qualms about taking the necessary action to establish one's
own power over others. Who would Maggie need to become to achieve such
power?
- Liberal: How would liberals respond to Maggie's dilemma?
Homework:
|
| |
|
|
|
|
|
2
|
14 |
Day 7 |
Tues. |
|
| |
|
|
|
|
|
2
|
15 |
Day 8 |
Wed.. |
|
| |
|

The Figure 5 in Gold,
1928. Charles Demuth |
|
Essay on Maggie due Wednesday at 3:30 pm.
Modernism
Independent Projects: William Carlos Williams, The Great Figure; The Red Wheelbarrow From
Realism to Naturalism to Modernism (Powerpoint)
Introduce
Independent Projects on American Modernism
The Zeitgeist of Modernism
Homework:
|
| | | | |
| 2 | 16 | Day 9 | Thurs. | |
| | | | |
|
2
|
17 |
Day 0 |
Fri. |
Professional
Day |
| |
|
|
|
|
|
2
|
20 |
Day 0 |
Mon. |
President's Day |
| |
|
|
|
|
|
2
|
21 |
Day 10 |
Tues. |
|
| |
|

The Voice of the City
of New York Interpreted: The Bridge, 1920-22. Joseph Stella
|
|
Modernism
Independent Projects:
Introduce
Independent Projects on American Modernism The Zeitgeist of Modernism
Check out the Thomson Gale Literature Resources Center or JSTOR on the Gilman On-line Database Page.
Homework:
|
|
|
|
| 2 | 22 | Day 1 | Wed. | |
| | | | |
|
2
|
23 |
Day 2 |
Thurs. |
|
|
|

Blue and Green Music,
1919. Georgia O'Keeffe |
|
Introduce
Independent Projects on American Modernism The Zeitgeist of Modernism
Check out the Thomson Gale Literature Resources Center or JSTOR on the Gilman On-line Database Page.
Homework:
|
| | | | |
|
2
|
24 |
Day 3 |
Fri. |
|
| |
|

Foghorns (1907) by Arthur Dove
|
|
Independent Projects on American Modernism The Zeitgeist of Modernism
Check out the Thomson Gale Literature Resources Center or JSTOR on the Gilman On-line Database Page.
Homework:
| Have Powerpoint Outline of your essay completed for Tuesday. |
|
| | | | |
|
2
|
27 |
Day 4 |
Mon. |
|
| | | | |
| 2 | 28 | Day 5 | Tues. | |
| |
|
 Zora Neale Hurston (1925) |
|
The Zeitgeist of Modernism
Check out the Thomson Gale Literature Resources Center or JSTOR on the Gilman On-line Database Page.
Powerpoint Projects:
Independent Projects on American Modernism |
|
2
|
29 |
Day 6 |
Wed. |
|
|
|
|

Langston Hughes (1925)
|
|
The Zeitgeist of Modernism
Check out the Thomson Gale Literature Resources Center or JSTOR on the Gilman On-line Database Page.
Powerpoint Projects:
Independent Projects on American Modernism
Internet
Citation Machines:
Homework:
| Final Draft
due Tuesday, March 6th at 3:30 pm |
|
| |
|
|
|
|
|
3
|
1 |
Day 7 |
Thurs. |
|
| |
|
|
|
|
|
3
|
2 |
Day 8 |
Fri. |
|
|
|

William Johnson, Sweet
Life, Harlem (1939) |
|
Powerpoint Projects:
Independent Projects on American Modernism
Reminder: Do not quote
the critics you have read. (You are not doing a report on the
criticism. Instead, use the critics ideas to help your own ideas gel.
Put the ideas in your own words. Cite your source if you use a critic's
idea.)
Internet
Citation Machines:
Honor in Writing at Gilman
Homework:
| Final Draft
due Tuesday, March 6th at 3:30 pm |
|
| |
|
|
|
|
|
3
|
5 |
Day 9 |
Mon. |
|
|
|
|
|
3
|
6 |
Day 10 |
Tues. |
|
| |
|

The Great Gatsby (1925) Dust Jacket Illustration by Francis Cugat

Scott and Zelda
Fitzgerald,newlyweds, 3 April 1920

20's Fashion Styles (See Flapper
Fashions)
|
|
Final Draft of
Modernism Project due at 3:30 pm
| Remember that you MUST turn in a Works
Cited Page with your essay. You MUST cite sources for ideas which are
not your own using correct MLA form. |
Introduction to
F. Scott Fitzgerald:
- Video: Louis Armstrong from Jazz
(Ken Burns)
- The Jazz Age (Notes)
- F.
Scott Fitzgerald: A Brief Life (U. of S. Carolina);
- Video: "Winter Dreams" (American
Masters): Fitzgerald at Princeton; Romance Between Scott and Zelda
(1917-19)
|
The Great Gatsby
(1925) Romance or Tragedy?
| You will not receive a specific question
for your essay on The Great Gatsby. (Which is due
on Friday, March 31st at 3:30 pm.) Instead, you will have to devise a
thesis for yourself. Start this process by considering the genre of the
work. Is Gatsby a Romance or a Tragedy?
Romance- A quest story in which a hero must
perform great deeds, frequently against fantastic obstacles, to win the
favor of an ultimately unreachable beloved. (Courtly Love)
Tragedy- A dramatic work about the fall of a
person from exalted to low state due to fate
or a flaw of character. (Aristotle's Definition of
Tragedy)
|
Homework:
|
|
3
|
7 |
Day 1 |
Wed. |
|
|
|
|
|
3
|
8 |
Day 2 |
Thurs. |
|
|
|
|
The
map (1917) shows the locations of Fitzgerald's imaginary West
Egg and East Egg, as well as of the Plaza Hotel in Manhattan.

Estates on West Egg and East Egg
|
|
The Great Gatsby,
Chapter
One (1-26) Study Guide
Paragraph: What is it about
Gatsby which so fascinates Nick? Why is he telling us Gatsby's story?
Paragraph: How does Fitzgerald
characterize East Egg society as represented by the Daisy, Tom and
Jordan?
Homework: The
Great Gatsby, Chapter
Two (27-42) Study Guide
For further reading:
|
|
|
|
|
3
|
9 |
Day 3 |
Fri. |
|
|
|
|
|
Twenty Minute Essay: Prompt One
Twenty Minute Essay: Prompt
Two
|
| |
|
|
|
|
| |
|
|
|
|
| 3 |
12 |
Day 4 |
Mon. |
|
|
|
|

Zelda at age 18

The Flapper
illustration by John Held from Life Magazine 1922
|
|
The Great Gatsby, Chapter One
(1-26)
Study
Guide
Fitzgerald's Symbolism:
How does Daisy respond when she hears that Gatsby
is living nearby?
Central Image: Daisy's Voice:
The
Nightingale and The Reality.
What does the image of the nightingale have to do with Fitzgerald’s
conception of Daisy (and the American Dream)? (Listen to Fitzgerald Reading Keats' “Ode
to a Nightingale”(1819) (8-bit
/ RealAudio))
The
Great Gatsby, Chapter
Two (27-42) Study Guide
Paragraph: What do
you make of the symbolism Fitzgerald uses in his depiction of the Valley
of Ashes?
How is the valley connected to the opulent life on East Egg and West
Egg? How is Myrtle an appropriate match for Tom?
How does this sad, drunken
binge fit into Fitzgerald’s overall purpose in the novel?
Homework:
|
| | | | |
|
3
|
13 |
Day 5 |
Tues. |
|
|
|
|

Lylian Tashman (Getty Images)

Anita Loos
|
|
The
Great Gatsby, Chapters Three
and Four
(43-85) Study Guide Three
and Four
Paragraph:
Party #3: Describe the Gatsby party
machine in action. Why has Gatsby invited Nick to the party? What does
he talk about with Jordan? (She won't tell Nick.) Why has Gatsby been
throwing all these parties?!
Paragraph: Gatsby and Nick Drive to New
York: Lunch With Meyer Wolfsheim. What picture of
Gatsby's character is beginning to emerge for Nick and for you as we
learn more and more about him?
Paragraph: How about Nick? What is happening in
his life? Where is his relationship with Jordan, Daisy, Tom, and Gatsby
leading him?
Homework:
| The
Great Gatsby, Chapters Five
and Six
(86-118) Study Guide Five
and Six
|
|
| | | | |
| 3 |
14 |
Day 6 |
Wed. |
|
|
|
|

"A
Flapper's Appeal to Her Parents" (1922)

1927 Rolls Royce Phantom
Roadster
|
|
The
Great Gatsby, Chapters Five
and Six
(86-118) Study Guide Five
and Six
Paragraph: What happens to Gatsby moments after he
has achieved his dream? Why is he so bewildered?
Paragraph: What version of American History is
Fitzgerald teaching us when we finally learn the true biography of Jay
Gatsby?
Paragraph: After the party, Nick realizes that
Daisy and Gatsby's relationship is finished, but Gatsby will never
accept that fact. Where has Gatsby's dream gone wrong? Why,
by the 1920's, has the American Dream gone awry?
Music mentioned in the text:
Homework:
|
| |
|
|
|
|
| 3 |
15 |
Day 7 |
Thurs. |
|
| |
|
|
|
|
|
3
|
16 |
Day 8 |
Fri. |
|
| |
|

Al Capone (Getty Images)
|
|
The
Great Gatsby, Chapter Seven (119-153) Study Guide
Seven
Paragraph: Unpack the meaning of the action's
catastrophe. Consider the details: the heat, the reprise of details
from earlier in the novel, Gatsby and Tom's confrontation, and the
mistaken identities which lead to Myrtle's death. All the strands of
the novel come together. Was the action fated to
end in this way? How does the scene relate to Fitzgerald's overall
intention?
Homework:
|
| |
|
|
|
|
|
3
|
17 |
Day 0 |
Sat. |
Spring Break |
| | | | |
| 3 |
26 |
Day 0 |
Mon. |
Spring Break |
| | | | |
|
3
|
27 |
Day 9 |
Tues. |
|
| | | | |
| 3 | 28 | Day 10 | Wed. | |
|
|

The Great Gatsby (1925) Dust Jacket Illustration by Francis Cugat
|
|
| The
Great Gatsby, Chapter Eight and Nine
(154-189) Study Guide Eight and Nine
Paragraph: What ultimately separates Gatsby
from Daisy? Is it class? Or is the barrier something else? To
what extent could any real woman live up to the dreams Gatsby spins
about Daisy and her wealthy lifestyle?
Paragraph: Make sense of Gatsby's murder as
part of Fitzgerald's overall purpose in the novel?
Paragraph: Unpack the final image of the
novel. What has Nick learned about the American Dream?
|
Homework:
| Essay on The
Great Gatsby |
|
| 3 |
29 |
Day 1 |
Thurs. |
|
| | | | |
|
3
|
30 |
Day 2 |
Fri. |
|
| |
|
 Tennessee Williams (1911-1983)
|
|
Essay
on The Great Gatsby due at 3:30 pm. Introduction to Tennessee Williams and The Glass Menagerie (1944) Part One: Preparation for a Gentleman Caller Homework: Read Williams, The Glass Menagerie, Scenes 1-2 (pp.1-36)
|
| | | | |
|
4
|
2 |
Day 3 |
Mon. |
|
| |
|
|
|
|
|
4
|
3 |
Day 4 |
Tues. |
|
|
|
 |
|
Part One: Preparation for a Gentleman Caller Homework:
Read Williams, The Glass Menagerie, Scenes 3-5 (pp.37-67) |
|
4
|
4 |
Day 5 |
Wed. |
|
|
|
|
|
Read choice scenes out loud.
|
|
4
|
5 |
Day 6 |
Thurs. |
|
|
|
 |
|
Homework: Part Two: The Gentleman Calls Read Williams, The Glass Menagerie, Scenes 6-7 (pp.68-115) |
|
4
|
6 |
Day 0 |
Fri.. |
Good Friday |
| |
|
|
|
|
| 4 | 9 | Day 0 | Mon. | Professional Day |
| | | | |
|
4
|
10 |
Day 7 |
Tues. |
|
|
|
|
|
|
| 4 | 11 | Day 8 | Wed. | |
| |  | | Part Two: The Gentleman Calls Read Williams, The Glass Menagerie, Scenes 6-7 (pp.68-115)
Homework: Essay on The Glass Menagerie |
| 4 | 12 | Day 9 | Thurs. | |
| | | | |
| 4 | 13 | Day 10 | Fri. | |
| |  | | Essay on The Glass Menagerie due at 3:30 p.m.
Homework: Backgrounds to Arthur Miller's Death of a Salesman |
|
4
|
16 |
Day 1 |
Mon. |
|
| | | | |
| 4 |
17 |
Day 2 |
Tues. |
|
| | Arthur Miller (1915-2005) | |
The Post-War
Liberal Consensus
Death of a Salesman
by Arthur Miller
Homework:
Read Act One of Death of a Salesman (Study
Guide)
Arthur
Miller Obituary (Washington Post) |
|
4
|
18 |
Day 3 |
Wed. |
|
| | | | |
|
4
|
19 |
Day 4 |
Thurs. |
|
|
|
 Joe Mielziner's rendering for the Set

|
|
The Post-War
Liberal Consensus
Essay on Death
of a Salesman (due on Thursday May 5th at 3:30 pm)
The "Well Made Play" Engine: The Day the Thunderstorm
Breaks
Discuss Act One of Death of a Salesman (Study
Guide)
Video: Death of A Salesman (1967) Lee J. Cobb and Mildred Dunnock
Homework:
Scene Analysis Projectsfor further reading:
"Tragedy
and The Common Man" by Arthur Miller, The New York Times
February 27, 1949, Section 2 |
|
4
|
20 |
Day 5 |
Fri. |
|
|
|
 |
|
Stage Directions (pp 11-12)
Scene
Analysis Projects: Act One of Death of a Salesman (Study
Guide) Homework: Dream Monologue in your character's voice |
|
4
|
23 |
Day 6 |
Mon. |
|
| |
|
 |
|
Essay on Death
of a Salesman (due on Tuesday May 1st at 3:30 pm) Scene
Analysis Projects Dream Monologues
Homework:
Read Act Two of Death of a Salesman (Study
Guide)
PBS Interview with Miller (1999)
"Making
Willy Loman" by John Lahr, New Yorker (1999) |
| 4 | 24 | Day 7 | Tues. | |
| | | | |
|
4
|
25 |
Day 8 |
Wed. |
|
| |
|
 |
|
Essay on Death
of a Salesman (due on Tuesday May 1st at 3:30 pm)
Death of A
Salesman Play Engine
Video: Death of A Salesman (1986) Dustin Hoffman and John
Malkovich
Homework:
Act Two of Death of a Salesman (Study
Guide)
Scene Study Project Act Two
Willy Loman Chronology
The
American Dream
in Franklin, Fitzgerald, and Miller |
|
4
|
26 |
Day 9 |
Thurs. |
|
| |
|
|
|
|
|
4
|
27 |
Day10 |
Fri. |
|
|
|
 |
|
Essay on Death
of a Salesman (due on Tuesday May 1st at 3:30 pm)
Act Two of Death of a Salesman (Study
Guide)
Scene Study Project Act Two
Essay
on Death of a Salesman |
| | | | |
|
4
|
30 |
Day 1 |
Mon. |
|
| |
|
|
|
|
|
5
|
1 |
Day 2 |
Tues. |
|
| |
|

 August Wilson (1945-2005) |
|
Essay on Death
of a Salesman (due at 3:30 pm)
August Wilson Backgrounds
Jitney
(1977; 1997) The Time: 1977 ; The Situation of
African-Americans in 1977
The Place:
Pittsburgh
Jitneys
in Pittsburgh (Center Stage) Read Act One of Jitney (Study Guide)
Review of
Radio Golf (2005)
|
| | | | |
|
5
|
2 |
Day 3 |
Wed.. |
|
| | | | |
| 5 | 3 | Day 4 | Thurs. | |
| |
|
 Jitney at Huntingdon Theatre, Boston (1999)
|
|
Final Exam Essay Question
Read Act One of Jitney (Study Guide)
|
|
|
|
|
5
|
4 |
Day 5 |
Fri. |
|
| |
|

Paul
Butler, Michole Briana White and Russell Hornsby in "Jitney,"
Second Stage Theater 2000.

Village of Yo, ca. 1964

Paul Butler and Philip Randolph
Smith |
|
Act One of Jitney (Study Guide)
Homework: Read Act Two of Jitney (Study Guide)
|
| |
|
|
|
|
|
5
|
7 |
Day 6 |
Mon. |
|
| |
|
Spring Way
(1966) Romare Bearden

Romare Bearden: Rocket
to the Moon (1971)
The Street (1975)
|
|
Act Two of Jitney
(Study
Guide)
Homework: Rough Draft: Jitney
Essay for Exam
|
| |
|
|
|
|
|
5
|
8 |
Day 7 |
Tues. |
|
| | | | |
| 5 | 9 | Day 8 | Wed. | |
| |
|

Paul Butler as Becker 
Carl Lumbly as Booster |
|
Final Exam Essay Question Act Two of Jitney
(Study
Guide)
Homework: Final Draft: Jitney
Essay
|
|
5
|
10 |
Day 9 |
Thurs. |
|
| |
|
|
|
|
|
5
|
11 |
Day 10 |
Fri. |
|
|
|
|


|
|
One-Act Play Project: Natalie Goldberg's Rules
Homework: One Act Playwriting Project: Day
One
Sam Shepard Monologue: Wesley from Curse of the Starving Class
People
Photos |
|
5
|
14 |
Day 1 |
Mon. |
|
| |
|
|
|
|
|
5
|
15 |
Day 2 |
Tues. |
|
|
|


 |
|
Homework: Monologue
Assignment
|
| | | | |
|
5
|
16 |
Day 3 |
Wed. |
|
| | | | |
| 5 | 17 | Day 4 | Thurs. | |
|
|

 |
|
One-Act Play Project: Natalie Goldberg's Rules
One Act Playwriting Project: Day
Two
People
Photos |
| | | | |
|
5
|
18 |
Day 5 |
Fri. |
|
| |
|

|
|
Summer
Reading 2006
Summer
Reading List 2006
Elizabeth
Woolsey Gilman Prize
Final Exam Essays 2006 One-Act Play Project: Natalie Goldberg's Rules
Monologue
Assignment Homework: One Act Playwriting Project: Day
Three
|
| | | | |
| 5 |
21 |
Day 6 |
Mon. |
|
| |
|
|
|
Final Exam 2006
Final
Exam Schedule 2006
Summer
Reading 2006
Summer
Reading List 2006
Elizabeth
Woolsey Gilman Prize Film Project
|
| |
|
|
|
|
|
5
|
22 |
Day 7 |
Tues. |
|
| |
|
|
|
|
|
5
|
23 |
Day 8 |
Wed. |
|
| |
|
|
|
Summer
Reading 2006
Summer
Reading List 2006
Elizabeth
Woolsey Gilman Prize
Final Exam 2006
Final
Exam Schedule 2006 Film Festival
Homework:
|
|
5
|
24 |
Day 9 |
Thurs. |
|
| |
|
|
|
|
|
5
|
25 |
Day 10 |
Fri. |
|
|
|
|
|
|
| 5 | 28 | Day 0 | Mon. | Memorial Day |
| | | | |
|
5
|
29 |
Day 1 |
Tues. |
|
| | | | |
| 5 | 30 | Day 2 | Wed | |
| |
|
|
|
Film Festival
Exam Review |
| |
|
|
|
|
|
5
|
31 |
Day 3 |
Thurs. |
Reading Day |
| |
|
|
|
|
|
6
|
1 |
Day 4 |
Fri. |
Exams |
| |
|
|
|
|
| 6 |
4 |
Day 5 |
Mon. |
Exams |
| |
|
|
|
|
| 6 |
5 |
Day 6 |
Tues. |
Exam |
| |
|
|
|
|
| 6 |
6 |
Day 7 |
Wed. |
Exams |
| |
|
|
|
|
| 6 |
7 |
Day 9 |
Thurs. |
Exams |
| |
|
|
|
|
| 6 |
8 |
Day 10 |
Fri. |
|
| | | | |
| 6 |
9 |
Day 0 |
Sat. |
Baccalaureate |
| |
|
|
|
|
| 6 |
10 |
Day 0 |
Sun. |
Founder's Day |
| |
|
|
|
|
|
|
|