| 
   Gilman Shakespeare
  Festival 2014 
  Festival Date: Friday, December 12th 2014 
  Centennial Hall during 5th Period 
    
   
   
  Obvious Rules That
  Need to be Repeated Every Year 
    
  The First Rule of Theatre: 
  
  The first rule, however, is quickly followed by 
    
  The Second Rule of Theatre: 
  
   
   and The Third Rule of Theatre: 
  
  
   
    | 
     THE THEATRE AND ITS EQUIPMENT
    MAY NOT BE DESTROYED! 
     | 
    
   
   
   
  All this might sound pretty obvious, but you would be surprised. 
    
  Let’s talk seriously about Rule #2: 
    
  NOBODY GETS HURT! 
    
  Many of Shakespeare’s plays, including Hamlet, Macbeth and The Tempest
  have lots of fighting in them: fencin’, wrasslin’, stabbin’, beheadin’, suffocatin’, poisonin’, etc. However, none of this violence is real!
  No one really gets killed! (That kind of thing went out long ago with human
  sacrifice, a very early form of performance art.) 
    
  COROLLARY A TO RULE #2: 
  All stage combat must be carefully choreographed by a professionally trained
  fight director. The only professionally trained fight choreographer at Gilman
  School is Mr. Larry Malkus. Therefore, no stage combat may take place in any
  scene that has not been choreographed personally by Mr. Malkus. 
    
  In performance every actor in every fight knows exactly what is going to
  happen. There are no surprises. There is no improvisation. The fighters know
  literally every move that they will make and every move that their opponent
  will make in a fight. In the professional theatre union rules insist that
  actors involved in a stage fight must rehearse their fight before each and
  every performance. It’s the law! Unless these precautions are taken, people
  get hurt,  and Rule #2 says: NOBODY GETS HURT! 
    
  COROLLARY B TO RULE #2: 
  If you wish, you may choreograph your own fights, but under these conditions
  only: 
  THE FIGHT MUST TAKE PLACE IN SUPER SLOW MOTION! 
  (Kung Fu sounds, of course, are optional.) 
    
  NO REAL WEAPONS OF ANY SORT ALLOWED! 
    
  (I am tempted to outlaw plastic bats because I saw Mark McTamney
  catch a plastic bat in the schnozolla many years
  ago, and he had to go to the hospital.) 
    
  Serious talk about RULE #3: 
    
  THE THEATRE AND ITS EQUIPMENT MAY NOT BE
  DESTROYED! 
    
  Special effects are cool in theatre. Bubbling caldrons, disgusting blood,
  wild pyrotechnics, pouring rain: they are all incredibly cool, and you may include
  cool special effects in your scene. 
    
  HOWEVER, you may not mess up the theatre, its curtains, the stage floor, its
  costumes, or its props. 
    
  THAT MEANS: 
    
  · NO MESSY EFFECTS! (No buckets of blood all over the stage, no explosions of
  flour, sand, or confetti, no whip cream pies in the face which explode all
  over the stage and its curtains, no spraying other actors or the audience
  with paint, food colored dye, silly string, or the like, and NO WATER
  BALLOONS!.) 
    
  · NO EXPLOSIONS! (No stanky smoke bombs, no ear
  deafening explosions, no real gun powder, no real guns (See rule #1), no
  firecrackers, no cap guns, no super soakers, no nail guns, no FIRE OF ANY
  SORT, and no ping-pong guns (well, maybe ping-pong guns)) 
    
  · NO DESTRUCTION OF GILMAN PROPERTY! (That means no destruction of Gilman
  Costumes, Gilman Stage Floors, Gilman Props, and, of course, Gilman Students,
  Faculty and Staff.) 
    
  · And finally. HANG UP YOUR COSTUMES! 
   |