Hans Ostwald,
A Moral History of the Inflation
First
published as Sittengeschichte der Inflation. Ein Kulturdokument aus
den Jahren des Marksturzes (Berlin: Neufeld and Henius, 1931),
74-75.
As you
read this passage, think about how Ostwald is reacting to social
change and what values underlie his characterization of life in the
early 1920s.
http://www.indiana.edu/~pb20s/german/week8/morals.htm
Thinking back on
the inflationary years an extravagant image of a hellish
carnival appears before the eyes: plunderings and riots,
demonstrations and confrontations, profiteering and
smuggling, agonizing hunger and gluttonous feasts, sudden
impoverishment and rapid enrichment, debauched, maniacal
dancing, the horrific misery of children, naked dances,
currency conjurers, hoarders of real value, amusement
ecstasy—indulgence, materialist worldviews and religious
decline, flourishing occultism and clairvoyance—gambling
passion, speculation frenzy, an epidemic of divorce, women’s
independence, the early maturity of youth, Quaker food,
student aid, raids and profiteering trials, jazz bancs,
narcotics. |
Otto Griebel, Ein
Stück europäischer Kulturaufschnitt (A "Slice" of
European Culture), 1922 |
Truly a dazzling
colorful country fair of life!
One could probably list
more catchwords and facts, happenings and circumstances. What
novelty failed to appear! What a loud, boisterous battle for
attention!
It was a time of
intense revaluation—in the economy and culture, in material as well
as psychological things. Rich people who could have afforded all
the pleasure in the world were suddenly glad to have someone hand
them a bowl of warm soup. Overnight little apprentices became
powerful bank directors and possessed seemingly inexhaustible
funds. Foreigners, some the most impoverished of pensioners at
home, could suddenly step out in Germany like princes.
Everything seemed
reversed.
The family, too, seemed
to be in rapid decline. An ecstasy of eroticism cast the world
into chaos.
Many things that otherwise took place in secret appeared openly in
the bright light of the public stage. Above all it was the women
who in many respects completely transformed themselves. They
asserted their demands, particularly their sexual demands, much more
clearly. In every conceivable way they intensified their claim to
the rights of life and a full range of experience. Amorous scandals
came much more strongly to light. Some of them served as symbols of
the time. Nudism was no longer confined to specific circles and to
theatrical revues and cabarets. It permeated fashion throughout
society: the pretty leg was discovered and gladly put on display.
Beauty aids were everywhere. Developments continued. If during the
war women were forced to take over many male jobs, they did not
allow themselves afterward to be pushed quite all the way back into
the home. That had its effect on relations between the sexes as
well. And, as the last stage of development, there arose the female
bachelor, the woman in charge of her own life, whether unmarried,
divorced, or widowed.
To that was added our
experience of the remarkable juvenescence of the woman’s world.
Grandmama, in a practically knee-length skirt and a bobbed hairdo,
danced with young men in the clubs, hotels, and cafés—wherever the
opportunity presented itself. And mama danced with friends. And
youthful mademoiselles took the opportunity to dance along—and the
children suffered their fears alone at home.
Anton Kaes, Martin Jay, and Edward Dimendberg, eds. The Weimar
Republic Sourcebook ( Berkeley, California: University of
California Press, 1994, pp.77-78.
|